Journal of the stylistic of Persian poem and prose
volume Number 13، number In Volume 11، February 2021 ، issue Number 57

A reflection on the Divan of Mir Valahi Qomi, a poet of the Safavid period

Fatemeh Maleki , Alireza Salehi (Author in Charge), farideh Mohseni Hanjeni

Abstract

In the infinite sense of Persian poetry and literature, despite all the efforts of numerous scholars, many works have not yet received much attention and the opportunity for scholars to identify and reflect on the many works ahead. One of the most prominent poets of the Safavid era who is unfortunately ignored by scholars is Mir Valeh Qomi, who, due to his talent in various fields, deserves his scrutiny.

Mir Valeh Qom, who lived in the second half of the tenth century and the first quarter of the 11th century, is one of the poets, songwriters, and musicians of the Safavid era and one of the Sadat of Qom, whose works should be analyzed in the Indian literary realm. Contract analysis. Among his works are Divan Poems, which include quotations, sonnets, preferences and compositions, Masnavi, parodies, quatrains, fragments and material of history, and have a total of six thousand bits, most of which are quotations and sonnets. Forms.

In this article, after briefly describing the period concerned, he first deals with the personality of Mir Valeh Qomi and, in the second step, examines his divan on the basis of new quadruplicate versions in order to establish the poet"s position and order in this poem. Identify the great Safavid era, which has not received any significant research so far.

Keyword
Safavid Period , Indian Style , Qum Miri Valle , Divan

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